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March 9, 1940 - October 24, 1994
R.I.P.

From civil rights advocate Archbishop Oscar Romero to environmental activist Chico Mendes, Raul Julia's characterizations were a reflection of his real life commitment to humanity.

In 1992, my husband and I were planning our tour for the year.  He's a comedian and we had some say about where we went and when.  When I learned that Raul Julia was going to be playing Don Quixote on Broadway, we booked the whole tour around opening night. 

I had been watching all of his films since discovering him in KISS OF THE SPIDER WOMAN.  I read how in rehearsal for that film, he and William Hurt had switched roles to familiarize themselves with each others character.  And when Raul finished reading as Molina, the cast, who was watching on, broke into spontaneous applause.  William Hurt went to Hector Babenco, the director, and told him he had to give the part of Molina to Raul -- that Raul could honor the part better than he.  Raul wouldn't switch.  All of this fueled my respect and curiosity.  As did his choice of film roles, from ROMERO to THE PENITENT to LA GRAN FIESTA.  Then there was Shakespeare in the Park which he was fiercely serious about. 

Raul Julia wasn't faking it. He was serious and the company he kept, the choices he made (none of them paid very much until The Addams Family), the way that he moved through the world -- all of it together became a man who insisted on showing us how dark it was, and then invited us to advocate for change. 

When asked about some of the decisions he's made, he said, "I have felt outrage. I have felt anger. And, I have felt helpless..."  For 17 years he campaigned for THE HUNGER PROJECT, insisting that there is enough to go around...that no one should ever starve to death.  In showing us a political prisoner, a revolutionary, and a martyred priest, he caused us to feel outraged, anger and helpless.  And in so doing, we, at least to some extent, joined forces with him.

That New York City morning, the day MAN OF LA MANCHA was to open, my husband waited outside the theater with me for him to show up.  And when he did, I gave him my copy of Don Quixote and asked him to sign it for me.  We exchanged a few words and later that night we were near enough to hear him breathing when he wasn't singing and it was electric.  Magic and we knew that it was something already burned into our memory... something that would never happen again. 

I still have the green cowboy boots I bought down the street right after meeting him to mark the occasion.  But we never got to see him perform live again.  And we've never seen anything like him since.  Not on Broadway.  Not in the movies.  Not in the world. 

This month marks the eleventh anniversary of his death.  HYENA is proud to remind you of RAUL JULIA and invites you to spend a little time with what he left us.

Renowned child psychologist Erik Erickson once said that our lives are the fulfillment of our parents' dreams.

Raul Julia's father dreamed of bringing pizza to Puerto Rico. In fact, his father made that dream a reality when he added pizza to the menu at "La Cueva del Chicken Inn," his oddly named restaurant in San Juan. His son later hailed that pizza as "the best you've ever eaten."

The success of La Cueva del Chicken ("The Chicken's Cave") provided Raul Julia with more than good pizza. It paved the way for him to follow his own dreams, and to become one of the finest American actors of his generation. For 30 years, working in theater, film, and television, he would challenge and delight audiences with his complex, often enthralling performances.

Raul Rafael Carlos Julia y Arcelay was born in San Juan on March 9, 1940. Throughout his youth, the island enjoyed unprecedented prosperity, and his father's business was particularly successful.

This economic security ensured excellent schooling for young Raul. First, he was taught by North American nuns, from whom he began to learn English. Next, he studied the rigorous classical curriculum of the Jesuits at San Ignacio de Loyola High School. Finally, he attended the University of Puerto Rico.

Raul Julia discovered acting early in his academic career, beginning with a role in first grade. "From then on, that was it," he told Cigar Aficianado magazine in 1993. "I knew there was something special about the theater for me something beyond the regular reality, something that I could get into and transcend and become something other than myself."

Upon graduation from college, Julia was faced with a difficult choice between his parents' wishes and his own. They wanted him to continue to law school. He wanted to pursue an acting career. Finally, like so many Puerto Ricans, and so many aspiring actors, he left for New York.

Raul Julia's arrival in New York in 1964 was auspiciously timed. For more than a decade, Jose Ferrer, a native of Puerto Rico, had been a star of stage and screen. Just two years earlier, in 1962, another Puerto Rican, Rita Moreno, won an Oscar for her portrayal of Anita in the film version of West Side Story.

While these actors blazed a trail for Raul Julia, they also gave him an implicit challenge to rise above the Puerto Rican stereotypes that have been fostered by productions like West Side Story.

Julia was lucky, therefore, when soon after his arrival on the mainland, he met a man who was reinventing New York theater. Joseph Papp wanted to take classical plays, especially Shakespeare, to the streets, and to create "a theater where all the country's voices, rhythms, and cultures converge."

He therefore founded the world famous New York Shakespeare Festival, which continues to present free Shakespeare in Central Park each summer, as well as The Public Theater, the birthplace of such groundbreaking shows as Hair and the recent hit Bring in 'Da Noise, Bring in 'Da Funk.

Joseph Papp also gave Raul Julia his first break, casting him as the lead in Shakespeare's Titus Andronicus. The two developed a close friendship that lasted until Papp's death in 1991. "We became like father and son," Julia said in 1993. "He saw what I could offer. He didn't look at my ethnic background or whatever. He was a great man with a great vision."

With Papp's support, Raul Julia became a Broadway star. He was nominated for four Tony awards, in plays that demonstrated both his incredible range and his refusal to be pigeonholed as a "Puerto Rican" actor: Shakespeare's Two Gentlemen of Verona (1972), Where's Charley? (1975), Kurt Weill's The Three Penny Opera (1977), and Nine  (1981), a musical based on Federico Fellini's film 8.

 

While theater was his favorite mode of expression, film brought Raul Julia a much larger audience. His first film was in 1972, but it was in the 1980s that he emerged, in the words of one writer, as "the movie star's nonmovie star." Julia won fame not for acting in blockbusters, but for applying his talent to projects close to his heart, like Kiss of the Spider Woman (1985) and Romero (1989). The latter film is the true story of Archbishop Oscar Romero of El Salvador, who was martyred in 1980 for his harsh critique of a corrupt regime.

Julia acted in popular films, as well. He had roles in action movies with Mel Gibson (Tequila Sunrise) and Jean-Claude Van Damme (Street Fighter); and in the drama Presumed Innocent with Harrison Ford. He was also a comic performer in Moon Over Parador with Richard Dreyfus and the hugely successful Addams Family movies.

In 1994, at the peak of his career, Raul Julia died suddenly after suffering a stroke. He was 54 years old, and he left behind his wife of 28 years, two sons, and a multitude of shocked fans.

Raul Julia is sorely missed, not only for his acting, but also for his philanthropy. He was a passionate supporter of The Hunger Project, a foundation devoted to the elimination of world hunger. For 17 years, he served as the Project's spokesperson. "There are 38,000 people dying of hunger each day and most are children," he told Elle magazine in 1987. "And, being a celebrity, I communicate about it as much as I can."

In honor of his great support for The Hunger Project, the Raul Julia Ending Hunger Fund was established in 1994. In addition, his advocacy inspired The Hunger Project to expand its operations into Latin America beginning in 1997.

Sometime in his too short life, perhaps while eating his father's pizza, Raul Julia decided that anything was possible. That sense of assurance made him a great actor who found success without ever sacrificing his integrity or his Puerto Rican heritage, and it made him a great activist who believed in the possibility of a world without hunger.

reprinted from ┬ęTHE PUERTO RICO HERALD, February 11, 2000.

Although never considered a box-office star, Raul Julia was a well respected character actor and occasional leading man on both stage and screen. Born Raul Rafael Julia y Arcelay to an upper-class Puerto Rican family, Julia immigrated to New York in 1964 and studied drama with Wynn Handman. Julia joined Joseph Papp's New York Shakespeare Festival in 1966, and in 1971 made his film debut starring opposite Sidney Poitier in "The Organization."

During the 1960's and 1970's, Julia often appeared on television, notably on "Sesame Street." In the early 1980's, Julia was invited to join Francis Ford Coppola's Zoetrope Studios stock company, and appeared in "One from the Heart," (1982). Julia is best remembered for his turn in Hector Babenco's, "Kiss of the Spider Woman," (1985), and the two "Addams Family" comedies, in which he played the dashing, love-struck Gomez Addams. As late as 1989, Julia won a Tony Award for his role as MacHeath in the Broadway production of "The Three Penny Opera." Julia died of complications from a stroke while working on the film "Streetfigher," (1994).

Between 1977 and his death, Julia was a pronounced activist for "The Hunger Project." He lent his voice to both English and Spanish narrations of videos, testified before Congress, and spoke at conferences the world over, all on behalf of "The Hunger Project." After his death, "The Hunger Project" created the Raul Julia Ending Hunger Fund in his honor.


 

"I have to explore and exploring means you have to let go and not be safe all the time."
--Raul Julia



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